2021 Elephant Magazine, Marking Time: Keeping Art Alive During the Covid Year, by Ravi Ghosh
2019 Art Forum, Critic’s Pick, Klea McKenna, SHIFT at EUQINOM Gallery by Robert Becker Crafts, UK, Reading the Surface of the World, by Malaika Byng Oakland Magazine, Bedford’s ‘Altered States’ Show Uses Nature as a Muse, by DeWitt Cheng
2018 Art in America, Best Photography Books of 2018, Critic’s Pick by Leah Ollman Art Practicalby Vanessa Kaufmann-Zimmerly, “Three Movements through Klea McKenna’s Witness Mark”, January 16, 2018. Quiet Lunch, Klea McKenna Steps Into the Light with Bi-coastal exhibitions, by Kurt McVey LA Times, review of Generation, by Sharon Mizota Collector Daily, Review of Generation by Richard B. Woodward Museé Magazine, Review of Generation by Adam Ethan Berner LA Weekly, Review of Generation by Shana Nys Dambrot Photograph Magazine, Review of Generation at Gitterman Gallery by Michael Wilson
EARLIER PRESS Los Angeles Times by Leah Ollman, "Automatic Earth", November 2016. Artforumby Kim Beil, “Critic's Pick: ‘Of Many Minds’”, October 2016. PDN Magazine by Holly Hughes, "Photography's New Dimensions", cover, August 2016. The New York Times Style Magazine by Caroline Hirsch, "Review No Light Unbroken", September 2014. Vice Magazineby Tao Lin, “‘The Butterfly Hunter’ by Klea McKenna”,2014. LensCulture by Alex Strecker, "Contact: Direct Reflections of Landscape", 2014. Conveyor Magazineby Christina Wiles, “The Alchemy Issue,” 2014. Magazine Gitz, South Korea Interview In conjunction with the exhibition Tracing Light, Issue #4, 2010.
